Ceci n’est pas a Booth, Kiosk or Gazebo…

and other Radical Shacks

Performance artist-sculptor Laure Drogoul, winner of the 2006 Julie and Walter Sondheim Prize and founder-director of Maryland Art Place’s 14 Karat Cabaret, is curating a show at this year’s Artscape that spoofs the arts festival’s reputation as being nothing more than “Foodscape,” a place for Baltimorons to eat bad food.

Hence we have Ceci n’est pas a Booth, Kiosk or Gazebo and Other Radical Shacks, a play on the title of surrealist painter Rene Magritte’s picture of a pipe that he called Ceci n’est pas une Pipe (This Is Not a Pipe). The point being that, just like Magritte’s painted pipe that viewers can’t smoke, the booths occupied by the artists in the food court don’t sell food, they only look like they do.

Anyway, I came, I saw, I interacted with the art. This kind of thing usually isn’t my bag, but I have to admit that everyone was really nice (especially the LEXI MOUNTAIN BOYS, who are in fact lovely ladies) and I really enjoyed Dan Van Allen‘s TREE HOUSE FOR AN AUTUMN MOON and the video installation and synthesizer sounds provided by SNACKS (Tom Boram and Dan Breen, the later of Trockenis) at their YE OLDE ELECTRO-MATIC SMOOTHIE SHOPPE booth. The Snacks boys also played tubas that generated power to run blenders filled with red and white wine, which they then dispensed to lines of supplicants in a sort of performance art Holy Communion.

OK, enough talk. Here are some photos of the exhibit.


The Entrance Gate
Abandon all hope of real food, ye who enter.


Tim Scofield’s kinetic AERIAL SCULPTURE at rest


Fly guy Tim Scofield prepares for takeoff


Tim Scofield getting high as a kite


I’ve run out of high jokes. But he is. Very.


Tim Scofield gets a rise of out of the audience


Whatever you do, don’t look down!


“Fuck! There goes my bus fare!”


Tim demonstrates his World’s Highest Yo-Yo Trick.


Tim does his Puppet-on-a-String impression


“And this is how I do the back stroke.”


“Here we go Allez-Oops!”


What goes around comes around. (We hope!)


“Clear the landing strip!”


“Damn! My socks don’t match.”


“Ha! From up here you humans look so puny!”


R.L. Tillman’s COTTON SALTY stand


Dan Van Allen’s TREE HOUSE FOR AN AUTUMN MOON


TREE HOUSE Close-up


TREEHOUSE extreme full frontal close-up

Girls just wanna have Treehouse fun


TREEHOUSE long shot


Dan enjoys an upskirt view of his TREEHOUSE


Dan Van consults with Dr. Angela about the green slime on his chin


Dan Breen in front of the his Snacks Video Installation

For me, this was the highlight of Artscape 2007, a simple yet clever video that seemed to feature every artist or “scene-maker’ in Baltimore.


Odd in Quad: Snacks Videos Loop Mismatched Tops and Bottoms


Snacks: Iron(ic) Chef


Birthday girl Spoon and roomate Uli send a shout out. (Spoon must have gotten a grant because she’s drinking Bud instead of Natty Boh.)


The “#$%@!!” Gnome Hut
created by Melissa Webb, M. Jane Taylor & Co.


The “#$%@!!” Gnome Hut Redux


>#$%@!! Gnome Icon


Imus would call these tough-looking gnomes “Nappy-headed”


I’d jump through hoops for this gnome
(the lovely Paige Shuttleworth)


Mama’s got a squeeze box


Girls will be LEXI MOUNTAIN BOYS.
Here they are in front of their CLEARAMID.

Related Links:
Ceci n’est pas review in Baltimore Sun
Dan Van Allen (Soweboarts.org)
Snacks Review (City Paper)
Lexi Mountain Boys (MySpace)

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Rappin’ Rabineau

B-Town’s Raconteur of Renown
Vale mas un grito a tiempo que hablar a cada momento

Baltimore is a city of characters but no Charm City character is more curious than Michael Rabineau. Long a fixture on the public access television scene (usually in the company of videographer-about-town Eugene “Gene’s Scenes” Balbierz), he is renowned for concocting grandoise networking schemes like a cigar-chompin’ backroom Hollywood producer. One thing about Michael Rabineau is a given: it is virtually impossible to go to any free talk, art opening, film screening, outdoor festival or museum tour downtown without spotting him there. Like Kilroy, he’s ubiquitous and at any social gathering one can most certainly say without hesitation, “Rabineau was here.” Given his apparently limitless amount of spare time, his employment status remains a mystery; either he is independently wealthy and slumming about town in denial like some sort of latter day Howard Hughes, or he is gainfully unemployed. Either way, he never seems have scheduling conflicts when it comes to attending any and every happening around town and can often be seen in his weather-beaten yellow down jacket power walking (he does not own a car or take mass transportation) to and fro the many events listed each week in the City Paper Events Calendar.

I first met him about 10 year ago when Scott “Unpainted” Huffines and I were first airing episodes of Atomic TV on Baltimore City’s public access TV channel, which now calls itself Community Media of Baltimore City (CMBC) and airs on channel 75. Every time I went to a parade or festival or First Thursdays in the Park event downtown, Rabineau would approach me and chat me up about how he could introduce me to this guy or that guy who knew this guy who knew someone at some cable network who could take Atomic TV national. I had no idea who this total stranger was, so I just thanked him for the interest and moved on. But after repeated encounters, I realized that he wasn’t just a stalker or some crazy street person.

Continue reading “Rappin’ Rabineau” at Accelerated Decrepitude.

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Smoke on the Waters

I ran across John Waters’ famous “No Smoking” short on YouTube and am glad somebody finally posted this. For years it was only available as an extra on the 1995 laserdisc version of Polyester (1981). (This laserdisc also included a “Get To Know Baltimore” tour narrated by Waters; clips from a couple of television entertainment program profiles of the filmmaker and his associates; and Robert Maier’s 1975 documentary short Love Letter to Edie. The 2004 release of the John Waters’ DVD box set Very Crudely Yours, may have restored many of the extra features from the Polyester laserdisc – hope springs eternal! – but I don’t have the $90 needed to find out). Anyway, the “No Smoking” clip has long been familiar to audiences at Baltimore’s Charles Theater where it frequently preceded feature film screenings and was a guaranteed laugh-getter.


YouTube description:
“In this short clip, John Waters announces that “no smoking is allowed in this theatre” and goes on to encourage people to smoke anyway, as it keeps the ushers busy.”

Waters appeared in the “No Smoking” promo for Santa Monica’s Nuart Theater in appreciation for showing Pink Flamingos for many years. It’s a common misconception that Waters himself filmed the trailer. In fact it was filmed and produced by music video director Douglas Brian Martin. Martin clears the matter up in this posting to the Cinema Treasures website about the Nuart Theater:

John Waters did not create the now renowned NO SMOKING trailer – he starred in it, as he is a star. I produced and directed three trailers in a New York City loft in support of the SHOCK VALUE FILM FESTIVAL that was marketed nationwide through Landmark Theatre Corporation in the early 1980’s to assist in marketing John’s book SHOCK VALUE. The SHOCK VALUE trailer was kicked back by the Texas censors with an orange obscenity band due to the use of the words masturbation and coprophagy. (John wanted to change the script to use more common terms for anatomy and excretions but I insisted on sticking to the script – little good it did) The THANK YOU NUART FOR MAKING DIVINE THE FILTH GODDESS and the NO SMOKING TRAILER were filmed at the same time. All were filmed as written. I carried the latent image reels back to LA in my carry-on luggage and transferred the 16mm original negative up to 35mm for theatrical use. The Film Festival, with the NUART Theatre as base, was a runaway success, and the NO SMOKING trailer, created as an added attraction to give Nuart patrons even more reasons to love the NUART, has gone on to become an icon. Nice.

According to imbd.com, Douglas Brian Martin directed the following music videos – so the next time you see these songs on VH1 or MTV Classic, remember they were made by the guy responsible for John Waters’ “No Smoking” trailer!:

“Murder, Mystery & Mayhem” (1981) for Peter Ivers; “I Predict (1982)” for Sparks; “Get Up And Go (1982)” for The Go-Go’s; “Gone Daddy Gone (1983)” for Violent Femmes; “Barefoot Rock (1983)” for The Blasters; “One Red Rose (1983)” for The Blasters; “The Cutting Edge” (1983) for MTV; “Christian Girls Problems” (1983) for The Gleaming Spires; “Head Over Heels” (1983) for The Go-Go’s; “Sound Of The Rain” (1984) for Rank & File; “Livin’ A Little, Laughin’ A Little” (1985) for John Hiatt/Elvis Costello; “When Angels Kiss” (1985) for Gary Myrick; “Stick Around” (1985) for Julian Lennon; “Lips To Find You” (1986) for Teena Marie; and “Situation #9” (1986) for Club Nouveau.

Related Links:
Douglas Brian Martin’s Website (www.ddi.ms/)
Doug Pratt’s Laserdisc Review of Polyester

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Liz Renay obit

LIZ RENAY, 80 Actress, artist, stripper
(Baltimore Sun, January 29, 2007)

Liz Renay, a stripper and cult movie actress whose real life included roles as a gangster’s moll, prison inmate, author and artist, died Jan. 22 in Las Vegas from cardiopulmonary arrest and gastric bleeding. She first gained attention as a fashion model and Marilyn Monroe look-alike in the 1950s. She developed a cult following for her role as Muffy St. Jacques in director John Waters’ 1977 movie Desperate Living. She appeared in at least two dozen other movies ranging from Date With Death in 1959 and The Thrill Killers in 1964, to adult films like Interlude of Lust in 1981.

Continue reading “Other Notable Deaths” at Baltimoresun.com.

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