Confessions of a Baltimore Playboy Bunny — Part One

Bunny Sharon (Photo courtesy of Sharon Bernstein Peyton)

Ultraswank.net Interviews Playboy Bunny Sharon Bernstein Peyton

In the summer of 1964 when Sharon Bernstein Peyton was 18 years old, she saw an ad for the new Baltimore Playboy Club opening. This stylish, sexy and glamorous world was quite different from the life she had been living. Nevertheless, she applied for a job and before she knew it, she was working among the high rollers and go getters as a Playboy Bunny. Ultra Swank sits down to talk to her about glamour, ambitions, sex and the legend in the silk pajamas.

How did you first hear of the Playboy Club and what made you want to work there as a Playboy Bunny?

I first remember learning about the Playboy Clubs when I was a teenager in high school, about 1962. I had a boyfriend who was in college. When I would spend time with him at his house, I would look at his Playboy Magazines. This is the first time I had seen Playboy Magazine. I remember looking at the pictures of the Bunnies in the Magazine and thinking how alluring and exciting it would be to be one of them.

Bunny Sharon – Official Playboy Picture (Photo courtesy of Sharon Bernstein Peyton)

In my wildest imagination, I never thought I could ever be one of them. Especially in Baltimore, not a very sophisticated or cosmopolitan city compared to Chicago or New York, where they already had clubs operating. Since there was no club in Baltimore, it didn’t seriously occur to me to pursue such a job in another city. Also, I expected to go to college after high school and pursue some kind of profession. Although, I didn’t know exactly what that would be.

About two years later, in the summer of 1964, I finished my first year of college at Maryland Institute of Art in Baltimore, Maryland. I decided that I didn’t want to continue studying art. I didn’t think I had enough artistic talent to be a professional artist. I thought that if I was going to spend the rest of my life in a profession, then I needed to have some obvious talent.

Nor did I want to continue attending college, until I was sure what else I did want to study. I knew that I wasn’t really applying myself to my studies. I was definitely being distracted by my personal life issues. In the meantime, I knew I needed to work at something, a work ethic I gleaned from my parents.I began to look for a job and my boyfriend at the time, John Marshall, saw the classified ad for the Playboy Club in the newspaper. He is the one who encouraged me to apply for the job as a Bunny. If he had not encouraged me to apply for the job, I probably would not have done it. He and I are still friends 47 years later. Playboy was the first stop on that career journey, and it changed everything that followed.

Continue reading “Confessions of a Playboy Bunny — Part One” at Ultraswank.net.

Related Links

Posted in "The Block", 1960s, Nightlife, Nightspots | Tagged , | 3 Comments

Twilight Zone: The Patricia Modell You Never Knew

By Michael Yockel (Baltimore Fishbowl, 11/4/2011)

Not surprisingly, local obits/tributes for exquisitely coiffed philanthropist and socialite Patricia Modell, who died October 12 at age 80, emphasized her significant charitable giving to a host of Baltimore educational, health, and cultural organizations during the 16 years that she lived here with her husband, Art Modell, whose Cleveland Browns morphed into the Baltimore Ravens after moving here in 1995.

Those same accounts also traipsed through her pre-Mrs. Modell life as modestly successful 1950s/1960s TV actress Patricia Breslin: a recurring role on pioneering nighttime soap “Peyton Place”; another on stalwart daytime soap “General Hospital”; and guest-star parts on a peck of other shows, everything from “Perry Mason” to “Maverick” to “Dr. Kildare” to “Alfred Hitchcock Presents” to “Thriller,” among many others. Not forgetting her continuing role on the curious 1950s sitcom “The People’s Choice,” in which she played the wife of the show’s star, Jackie Cooper, a city councilman whose basset hound, Cleo, got all the best lines (a voiceover, naturally).

Despite this plethora of TV appearances, Breslin’s acting career, in truth, barely registered on Hollywood’s Richter scale. And yet before she chucked showbiz in 1969 after marrying Modell, she featured prominently in a pair of productions cherished by the pop-culture illuminati: a 1960 “Twilight Zone” episode opposite a buff William Shatner, and director William Castle’s fascinatingly lurid 1961 suspense/exploitation film Homicidal.

Continue reading “Twilight Zone: The Patricia Modell You Never Knew” at Baltimore Fishbowl.

Posted in Obituaries, Ravens, Sports | Tagged | 2 Comments

How Do the Occupy Baltimore People Occupy Themselves?

By Dorothy Adele (dorothyadele.wordpress.com, 11/1/2011)

dorothyadele.wordpress.com

The supporters and residents of “Occupy Baltimore” at McKeldin Square come from various backgrounds and occupy themselves in unique ways.

Some of the occupants have jobs, others are homeless. Many of them want change.

Tom Kiefaber, the previous owner of the Senator Theatre, wears a sign that says “I am Revolting.” Kiefaber said that he is revolting because Baltimore is “one of the most corrupt cities in America. They took my job, they took my professional and personal reputation and they took my real estate all through manipulating the media.” Kiefaber’s “revolting sign” serves as an opening to discuss his opinions about Baltimore politics, the Senator Theatre, the media and the “Occupy Baltimore” movement.

Continue reading “How Do the Occupy Baltimore People Occupy Themselves?” at dorothyadele.wordpress.com.

Posted in 2010s, Baltimorons, Inner Harbor, Politics | Tagged , , | Leave a comment

Fast, Cheap & Out of this World


It’s Halloween and Baltimore or Less can think of no better time to celebrate the Triple B-movie (Blood, Boobs, Beast) filmmaking career of Perry Hall’s own horror/sci-fi master Don Dohler, who regrettably passed away in December 2006. Inspired by a 2003 City Paper feature on Dohler, MICA graduate John Paul Kinhart directed a documentary about his life, Blood, Boobs, and Beast, in 2007 (see City Paper editor Lee Gardner’s review here; see trailer here). Following is a reprint of that 2003 City Paper cover story by Michael Yockel.

Don Dohler's films leave no bone unturned (photo by Sam Holden)

The Blood-Splattered Bargain Basement Cinema Empire of Don Dohler

by Michael Yockel (City Paper, April 23, 2003)

We took a five-cent story, a 10-cent budget, and a two-cent leading man, and we put it over.” — producer Kirk Douglas to director Barry Sullivan regarding their B-movie hit The Doom of the Cat Men in the 1952 inside-Hollywood drama The Bad and the Beautiful.

Not long into filmmaker Don Dohler’s 1987 Blood Massacre, a truculent Vietnam vet (George Stover)–who before the opening credits viciously garrotes a bar owner and repeatedly stabs the proprietor’s trashy girlfriend–and two cohorts case a mom-and-pop video store that they intend to rob. Attempting to look nonchalant, the ex-grunt browses through the shop’s merchandise, picking up two videotape boxes, the camera lingering perhaps a few seconds longer than normal on films entitled Nightbeast and Galaxy Invader. Then the hoods brandish their weapons, reveal their purpose, and order the customers to lie facedown on the floor. When a store clerk makes the inevitable move for a concealed gun, all hell breaks loose, with the clerk taking a slug to the chest and collapsing, her blood spraying across a tacked-up movie poster.

Standard action fare, to be sure, seen countless times in countless shoot-’em-ups on television and the big screen, but in this particular instance with a wink-wink fillip detected only by the most vigilant and devoted of B-movie cineastes, who recognize the video shop’s seemingly obtuse inventory–Nightbeast and Galaxy Invader–as the work of writer/director/producer . . . Don Dohler. A surreptitious self-homage!

Off and on for the past 27 years, Dohler, while failing to register on the mainstream movie-biz Richter scale, has been cranking out low-budget, no-stars horror and science-fiction fare: 90-minute features chockablock with decapitations, eviscerations, impalings, murderous nuclear families devoted to cannibalism or organ harvesting, thong-clad vampirettes, cleaver-wielding housewives, switchblade-flicking psychos, trigger-happy yahoos, marauding aliens, reanimated corpses, fog machines in overdrive, enough fake blood to fill several Olympic-sized swimming pools, more running through woods than a battalion of Green Berets on maneuvers, and some of the scariest Baltimore accents in the history of cinema. All of them conceived–and several of them executed–at Dohler world headquarters in the Last House on the Left of a Perry Hall cul-de-sac, his home for the past 30 years.

“He’s found a niche, he’s stuck with it, and he’s been doing it a long, long time,” observes another Baltimore filmmaker, John Waters, who has seen one-third of Dohler’s oeuvre. “God knows I respect his defiant longevity.”

Continue reading “Fast, Cheap & Out of this World” at www2.citypaper.com.

See also:
Blood Boobs and Beast” (Accelerated Decrepitude)
The Independent” (Lee Gardner, City Paper)

Posted in 1970s, 1980s, 1990s, 2000s, Baltimore Films, Baltimorons, Entertainment, Films, Media, Roadside Attractions | Tagged , , , , , | 2 Comments