Video Americain Aims to Expand Local Film and Music Archive

Years before he sat on the business side of a Video Americain counter, local filmmaker J.R. Fritsch sold a couple of compilation tapes of his short films to the video-store chain for $7 a pop. Not only did that provide Fritsch with a little pocket change; it also gave him a more consistent venue for his work than is typically available to low-budget indie filmmakers via the mercurial theatrical and festival circuits.
Later, when Fritsch worked as a clerk at the Video Americain in Charles Village, he looked forward to feedback from customers who saw some of handiwork.

“It’s easy to fall into a niche when you do creative work where the only people who end up seeing it are other filmmakers and other videographers,” he says. “It’s nice to have a venue that’s accessible to the public.”

Fritsch was one of the earliest beneficiaries of efforts by the local video-store chain (which has locations in Roland Park, Charles Village, and Lauraville in Baltimore and in Takoma Park and Washington, D.C.) to support the local film community on the most basic level—by increasing opportunities for area artists to get their work seen.

Continue reading at the Baltimore City Paper

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The Penis Tree

A Baltimore Landmark


Pee-pee Tree puts the schwing into Spring

Credit where credit is due: It was Senator Theatre Manager Gayle Grove who first alerted me to this topiary curio on nearby Woodburne Avenue. She had seen it while walking with her Mom, but knew that I would appreciate more than her mother, who looked away in disgust. I did, so much so that I went back with her one day to document this risque topiary creation for Atomic TV (check it out on the “You Asked For It” episode).

When we approached the house, a little kid came running out saying, “You wanna see the Pee-Pee Tree?”

“Sure,” I said. “Did you do that?”

“No,” the kid said, “but my brother did. You wanna look at it?”

The excited youngster led us into the back yard where he regaled us with his brother’s garden art. When we asked him why his brother did it, he shrugged his shoulders. “I dunno, guess he just like pee-pees.”

He seemed elated when we suggested setting up a hose or sprinkler at the tree’s base so that water would shoot out of the top. “Yeah,” he screamed, “so the Pee-Pee Tree can pee itself!”

Then a neighboring kid came over to play army and the little brother and the kid with the guns ran around the Pee-Pee Tree like some modern Pagan reenactment of a scene from The Wicker Man.

Only in Baltimore!


Atomic TV visits the Penis Tree

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Carousel Coupling at the City Fair

Anybody remember this infamous incident in the annals of Baltimore Babylon? I must have xeroxed a copy of the newspaper ad, which hangs to this day on my refrigerator…


The infamous 1987 City Fair cartoon,  click for super-sized image.


Close-up of coupling carousel couple.

Baltimore Sun columnist Dan Rodricks commented:

“In 1987, promoters of the Baltimore City Fair published in The Sun and Evening Sun an amusing advertisement that included a Where’s Waldo kind of cartoon showing the crowd at the fair, and a couple coupling on a carousel. Yeah, the last part was a little joke by the art director, whose agency apologized and reimbursed the fair for the ads.”

Ad with Suggestive Cartoon Figures Generates Interest

(Associated Press, 9/18/1987)

Two tiny cartoon figures apparently engaging in sex in an advertisement for this weekend’s Baltimore City Fair amused newspaper readers, infuriated city officials and lost an advertising agency an account.

The full-page ad, which ran Thursday in The Sun and in the early edition of The Evening Sun, depicted masses of people at the fair, including what was widely thought by readers to be a man and woman having sex on a carousel.

The newspaper said it received numerous calls before erasing what appeared to be the woman in final edition.

Baltimore’s Transportation Department, which ran the ad because the fair takes place under the Jones Falls Expressway, said Thursday it has suspended an 18-month account with the advertising agency.

The artist, Don Schnably, told The Sun that the figure thought to be a woman is actually a lion.

“I understand it’s supposed to be a suggestive picture there. It’s not,” he said.

“This is an artist’s rendering. You lust draw fast lines. I don’t want things blown out of proportion. This is ridiculous. This is my livelihood. I’m not about to jeopardize my account.”

Social Security Administration workers couldn’t photocopy the advertisement fast enough, The Sun reported. An enlargement of it spread through the State House in Annapolis. Patrons at a restaurant studied it and tittered over lunch

Leslie Marqua, a spokeswoman for the fair  the fair, said she was “embarrassed, angered, and mortified” when the drawing was brought to her attention.

“Don’t blame the city for what someone else did.” she added.

William G. Evans, president of the advertising firm Schnably, Evans. McLaughlin Inc. agreed the drawing could be interpreted as a lewd act and said the agency takes full responsibility and will pay its $22,000 cost.

The advertisement shows hundreds of people and dozens of booths and rides crammed under the expressway, the city’s north-south artery known to motorists as the JFX. The figures on the carousel are less than an inch high.

The ad read “Suddenly it’s all fun and games under the JFX.”

 

Posted in 1980s, Baltimore Babylon, Inner City, Pranks, Sex | Tagged | 12 Comments

Dantini’s “Star-Spangled City: Our Baltimore”


The Star-Spangled City: Our Baltimore (1978)
directed by Vincent Dantini
(Dantini Films, 1978, 27 minutes, color, 16mm)

This labor of love was directed, produced and narrated by hometown history buff and magician Vincent Dantini (I caught his act at the old Peabody Book Shop and Beer Stube on Charles Street where he gave me a business card that said “Dantini – He Knew Houdini!”), who passed away in 1979. After years on the vaudeville circuit, Dantini settled back home to perform magic in night clubs and occasionaly put on a scary show at movie theatres in the area, as the poster below illustrates:


Dantini “Spook Show” at the Edgewood Theatre

Star-Spangled City was the Fells Point resident’s fourth and final film and Dantini rented out the 13,500-seat Baltimore Civic Center (what today is the 1st Mariner Arena) for its 1978 premiere – and allegedly lost $5,000 when only 60 people showed up! Besides featuring guest appearances by Blaze Starr, City Councilman Mimi DiPietro, and Mayor William Donald Schaefer, it also offered a look at one of the earliest Baltimore City Fairs. There are two 16mm print versions in the Enoch Pratt Free Library’s archives – a 27-minute one-reeler and an hour-length two-reeler print, the latter managing to capture a fire in the background while Dantini is touring the Inner Harbor!

Pratt also has a film about Dantini – whose real name was Vincent Cierkes – Chris Buchman’s Dantini the Magnificent (1968); described as a “film poem,” the 17-minute film documents a day in the life of the magician as he walks around Fells Point.
Check this item in the Enoch Pratt Free Library’s catalog

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