Police Divorce Zorita And Snake (1951)

(The Baltimore Sun, 5/13/1951)

A tender moment between a semi-clad dancer and a black, bull snake was shattered last night by the strident voice of the law, and the dancer, torn from her snake, was booked by police for performing an indecent night-club act.

The amorous scene was reaching its climax in the Two O’clock Club, on East Baltimore street, when a member of the audience broke the spell with the cry: “Stop!”

It was Sergt. Joseph Byrne, accompanied by three other policemen in plain clothes. As they later described it, the dancer, “Zorita,” was cuddling her 7-foot snake in a provocative manner.

“Zorita.” booked at Central Police Station, gave her name as Mrs. Ada Petrillo and said she was 28. She was freed on $42.90 collateral in time to perform in the 1 o’clock show.

The snake was not charged.

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Carnival Scene at Monument and Haven Street, 1948


Thrill to the sights of Frieda Pushnik, Living Armless and Legless Girl; Bohemian Glass-Blowers; Mo-Lay, Master of Manipulation; Johann Petersson, Tallest Man on Earth from Finland; Long-Haired Beauty Hannah Kelter; Skeets Hubbard, The Human Pin Cushion; and Puppeteer Sid Krofft. Click to enlarge.

The opening number for Sid Krofft’s one-man touring puppet show, “The Unusual Artistry of Sid Krofft,” in 1948.

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Sharon Bernstein Peyton Remembers the Bluesette

By Sharon Bernstein Peyton (via BaltimoreJam.org)

“The Bluesette/Blues Back Alley, owned by Art and Sharon Peyton, was a non-alcoholic night club in central Baltimore City at 2439 North Charles Street, near 25th St., Charles Village. It was in operation from 1965 to early 70’s. During those years it was THE place to hear live bands. The Bluesette was more than just a music club. It was a significant part of the youth culture at that time. It was also a magnet for musicians and fans who appreciated rock, blues and jazz music.

There was rock music on Friday and Saturday from 8 PM -12 AM. After the teenagers left the rock music club they reopened with an after hours jazz club/jam session called the Blues Back Alley from 2 -5 AM. These customers, mostly adults, entered quietly through the back door so as not to disturb the residential neighbors.

The house trio was composed of Ted Hawk, drummer, Jimmy Wells, keyboard, and Donald Bailey, acoustic bass— three of Baltimore’s best jazz musicians. Sunday evenings were more acoustic blues and folk music. The Bluesette was also the site of screenings of some of John Waters’ earliest films.

Thousands of young people were a part of the Bluesette scene during the years it was open. Some of the well known local groups that played at the club included Ames Oakes, Aubrey Circle, Aux, Bobby J & Generation, Calhoun, Chambermen, Chaparales, Chasers, Children, Chosen Few, Crank, Eliza Jane, Froggy & Gremlin, Graham Chambers System, Grin, Howdy Duty, Intruders, Joshua, Lotus Band, Marauders, Maypole, Meat, Momma Max, Moss, Nunsuch, Psychedelic Propeller, Rize, Roadrunners, Runarounds, Savages, Stonebridge, Take Five, Uncertain Things, Urch Perch and Yellow Pages.”

Continue reading “Sharon Bernstein Peyton Remembers The Bluesette” at BaltimoreJam.org.

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Attempting to Recapture Sweet Era of the Bluesette

By Michael Olesker (The Baltimore Sun, 11/18/2005)

“…What kind of place was the Bluesette? You walked in and found yourself enveloped in sound: live rock bands playing weekends until midnight (emphatically loud music, too – loud enough that, one night, the sound broke a thick mirror) and jazz and blues until 5 in the morning. Strobe lights blinked rapidly, giving the only light in a place otherwise dark and crowded, with a dance floor 15 feet long and not much wider than a man’s height.

Urch Perch onstage at the Bluesette (photo courtesy of Don Lehnhoff)

What kind of a time was it? Kid named Wayne Parham, a guitar player, showed up one day from the D.C. suburbs, because he’d heard about this place called the Bluesette where he could play his music and maybe find a place to rent. He found Art Peyton bent over a game of chess, and asked if Peyton had a place. Peyton, who’d never seen the kid before, didn’t even look up from the chess board.

“You 18 yet?” he asked.

“Yeah.”

“`Cause I don’t want your parents showing up looking for you.”

“No.”

“OK,” Peyton said, “you can sleep in the closet on the landing for $20 a month.”

Which the kid did, because it was that kind of a time, and that kind of a place. And they were all very young.

Continue reading “Attempting to Recapture Sweet Era of the Bluesette” at The Baltimore Sun.

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