Remembering The Old Songs: The Baltimore Fire

by Lyle Lofgren, Inside Bluegrass, July 2005

Charlie Poole - Bluegrassmessengers.com

“Some scholars have written that ballads functioned as tabloid newspapers of their day, bringing news of sensational happenings to an illiterate populace. But news is ephemeral: it whets our appetite for different news tomorrow. A song commemorating a specific event, such as a burning city, is not much remembered after the city has been rebuilt. A song about a specific murder, though, can last long beyond the event, because the theme recurs over generations. Yesterday’s False William is today’s serial killer.

We most certainly wouldn’t know this song about the Great Baltimore Fire of 1904 were it not for repertoire desperation by Charlie Poole (1892-1931) and The North Carolina Ramblers. Charlie’s life is worth an entire book (Rambling Blues — The Life & Songs of Charlie Poole, by Kinney Rorrer, 913 Vicar Rd., Danville, VA 24540), so I won’t repeat any of it here. In 1929, the band was due in New York for their ninth recording session in four years. They had recorded over 90 songs, which would deplete the songbag of even prolific traditional musicians. Charlie or someone in the band found a 1905 songbook called Mowry’s Songster, which had this Baltimore fire song, a re-write of an 1873 published song, The Boston Fire. The North Carolina Ramblers recorded it (now reissued on County CD-3508, Charlie Poole & North Carolina Ramblers, Vol. 2).

Massive urban fires are so rare nowadays that we don’t think much about them. The London fire of 1666 burned more than 13,000 buildings, killing an unknown number of people, while the 1871 Chicago fire ruined 18,000 buildings and killed about 300. Very few people died in the Baltimore fire of February 7-9, 1904, but most of the commercial district and the harbor piers were destroyed. It started when one building caught fire and then exploded, spreading the fire to other buildings. While the firemen were trying to put those out, a 25 mph wind came in off the ocean, which spread the fire rapidly in a new direction. Fire engines from Washington DC, Philadelphia, and Wilmington arrived to help, but the non-standardized hose couplings didn’t fit the hydrants. They tried to make a firebreak by blowing up buildings ahead of the fire, but that generated small wooden pieces that burned even more fiercely and accelerated the spreading. Finally, the firemen made a last stand at Jones Falls, a small river that runs into the harbor. They lined up 37 steam fire engines drawing water from the river and created a wall of water that stopped the fire. Baltimore rebuilt, using more fireproof materials.”

Baltimore Fire – Charlie Poole

Continue reading “Remembering The Old Songs:The Baltimore Fire” at lizlyle.lofgrens.org.

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The Sounds of Mobtown – Baltimore artists play songs about Baltimore

by Cara Ober, The Urbanite, 11/16/2010

“I don’t think Baltimore is a muse for a certain kind of musician. Baltimore is just a great muse,” says musician Howard Markman. “You can go from the classic country song ‘Streets of Baltimore’ by Harlan Howard and Tompall Glaser, to Hoagy Carmichael’s ‘Baltimore Oriole,’ to Randy Newman’s ‘Baltimore,’ to Lyle Lovett’s ‘Baltimore.’ The only thing they all have in common is—well, Baltimore.”

Markman and eight other Baltimore artists will perform at the Creative Alliance on November 20 in a concert sponsored by Roots Cafe, “The Streets of Baltimore: Songs of Our City.” Markman, known for his guitar improvisations with Freewater in the 1970s and Disappear Fear in the 1990s, will perform two of his own songs, “Welcome to Smalltimore” and “Baltimore to Bethlehem,” as well as Arty Hill’s “I Left Highlandtown.”

Continue reading “The Sounds of Mobtown” at The Urbanite.

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Schocking Dundalk

Gina Schock - You can take the girl out of Dundalk...

The Go-Go’s Gina Schock was Dundalk born and bred as evidenced by this “Evening Magazine” clip from the 1980s produced by Tom D’Antoni. Baltimore accents are aplenty with her parents and Edith Massey chiming in.

Gina Schock's parents June and John

The Go-Go’s Notebook: Gina Drumming Up Business

Flier for San Francisco show with Edith Massey - Nov. 12, 1978

“Then…in 1978, she was asked to play drums for Edith Massey’s punk band called Edie and the Eggs. The Egg’s did a short tour over America with performances in New York, San Francisco and West Los Angeles at the NuArt Theater. ” Continue reading “Gina Drumming Up Business” at The Go-Go’s Notebook.

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Memories of “Old” Middle River by Jackie Nickel

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